Análisis de los conceptos centrales de Nietzsche sobre el arte y la estética
Fecha
2024
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Universidad Antonio Ruiz de Montoya
Resumen
La presente tesis busca dar una explicación sobre la perspectiva que tenía el filósofo alemán Friedrich Nietzsche (1844 – 1900) por sobre el arte y la estética, para con esto desarrollar el análisis de tres conceptos que él proponía, tales son el eterno retorno, la transvaloración de los valores, y la voluntad de poder, entendidas desde la perspectiva estética y bajo la idea de ponerse al servicio de la vida para revitalizarla. Para esta labor el primer capítulo centra su esfuerzo en realizar un análisis y repaso por sobre el pensamiento del arte en la vida académica del filósofo alemán; el segundo capítulo, con la base del pensamiento sobre la estética que da el primero, centra su atención en la definición de cada concepción antes mencionada y brinda una lectura de cada concepción bajo la perspectiva estética; para finalizar, el tercer capítulo, condensa y sintetiza la visión estética de Nietzsche con las distintas concepciones para dar una mirada sobre la perspectiva que debe tener la vida.
The present thesis seeks to give an explanation of the perspective that the German philosopher Friedrich Nietzsche (1844 – 1900) had on art and aesthetics, in order to develop the analysis of three concepts that he proposed, such as eternal return, transvaluation of values, and the will to power, understood from the aesthetic perspective and under the idea of putting oneself at the service of life to revitalize it. For this work, the first chapter focuses his efforts on carrying out an analysis and review of the thought of art in the academic life of the German philosopher; The second chapter, with the basis of the thought on aesthetics given in the first, focuses its attention on the definition of each aforementioned conception and provides a reading of each conception from the aesthetic perspective; Finally, the third chapter condenses and synthesizes Nietzsche's aesthetic vision with the different conceptions to give a look at the perspective that life should have.
The present thesis seeks to give an explanation of the perspective that the German philosopher Friedrich Nietzsche (1844 – 1900) had on art and aesthetics, in order to develop the analysis of three concepts that he proposed, such as eternal return, transvaluation of values, and the will to power, understood from the aesthetic perspective and under the idea of putting oneself at the service of life to revitalize it. For this work, the first chapter focuses his efforts on carrying out an analysis and review of the thought of art in the academic life of the German philosopher; The second chapter, with the basis of the thought on aesthetics given in the first, focuses its attention on the definition of each aforementioned conception and provides a reading of each conception from the aesthetic perspective; Finally, the third chapter condenses and synthesizes Nietzsche's aesthetic vision with the different conceptions to give a look at the perspective that life should have.
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Palabras clave
Nietzsche, Friedrich, 1844-1900, Estética, Voluntad, Vitalismo, Análisis filosófico, Filosofía alemana moderna, Filosofía
Citación
Faustor, M. (2024). Análisis de los conceptos centrales de Nietzsche sobre el arte y la estética [Tesis de pregrado, Universidad Antonio Ruiz de Montoya]. Repositorio Institucional UARM. http://hdl.handle.net/20.500.12833/2664